Saturday, September 24, 2016
At the Private View of 'Light Fantastic', Linda Izan went to find the young female glassblower, Niki Steele, who had been her inspiration for the work '100 years - The Glassblower'
"I thanked her for her part in the development of the work and we discussed the important contribution that women have made and continue to make in the production of glass in Pilkington’s. The work that I produced spans a 100 year period starting with World War 1 and the contribution to the industry in a time of war and then arriving at Niki Steele’s glassblowing skills in the present time."
Thursday, September 22, 2016
Light Fantastic at the World of Glass opened on Saturday 3rd September and is open to all until the 4th November. The exhibition is free to enter, and the World of Glass has lots of entertainment on offer for a fun filled family day out.
In this post we share with you pictures from the day from Textile 21 artists Nabila, Armelle and Susan. Textile21 artists have taken their own inspiration from the collection of artifacts, art and the history of the World of Glass museum and created unique artworks which each tell their own story.
|Susan Darby created 3 pieces for Light Fantastic|
|Nabila's wire work|
|Armelle's piece welcomes you to enter the exhibition|
|Linda and Elsa admire one of the artists work|
We promise, you won't be disappointed!
Monday, September 19, 2016
Why did you join Textile 21?
I joined textile 21 to meet like-minded people and to exhibit my work.
How did you get where you are now?
I studied sculpture at College and afterwards tried pottery, life drawing, oil, watercolours and batik.
After doing C&G Embroidery parts 1 & 2, I taught these courses to adults.
I was a founder member of the group 10+ Textiles. Between leaving 10+ Textiles and joining Textile 21 I worked alone and exhibited work in open competitions and craft shows.
|Denise's pieces at the World of Glass|
When did your interest in textiles first start?
Handling fabrics as a child, making dolls clothes and later my own clothes was my introduction to textiles. I became interested in embroidery after seeing an Embroiderers Guild Exhibition. I joined the Embroiderers Guild and was inspired by the talks and examples of embroidery that I saw there.
What do you love about designing/making?
I love interpreting my artwork and solving design problems. I enjoy drawing and using art materials to obtain the effect I am looking for. I then interpret the artwork in textiles. I enjoy putting colours together and merging contrasting colours for different visual effects.
How would you describe your work?
Representational and also abstract.
What type of materials do you use?
Cottons, transparent organza, fabric paints, drawing pen.
Where does your inspiration come from?
My photographs or drawings of my surroundings either natural or man made.
|The group photo! All looking very relieved that we made it to the PV!|
You can see Denise's piece's until 4th November at World of Glass in St Helen's, along with all of the other wonderful work by the Textile 21 group.
Check out our Facebook and Instagram account for more information about this and future exhibitions.
@textile21nw #textile21 #lightfantastic
Friday, August 19, 2016
2 weeks until the Private View for Light Fantastic, here's what the designers have all been up to...
With the private view and opening of Light Fantastic just over 2 weeks away, the designers have all been very busy finishing off their work for the exhibition at World of Glass in St Helens. Please enjoy this picture post, and do come along to view the exhibition if you can. It runs from Saturday 3rd September to 4th November.
|Detail from Hayley's piece 'Broken'|
|Stitch detail of just one of Janet's pieces|
|Beautiful wire work from Nabila|
|Shards of perspex and light on Susan's piece|
|Armelle's drawn ideas and tin of goodies!|
|Doreen's beautiful drawings|
|Detail from Bev's alien like flowers|
|Beautiful colour and stitch here by Linda|
Wednesday, July 20, 2016
|Terri with her 'Fashioned in Silk' creation|
I joined the group 10 years ago. Time has passed so quickly!
Can you share a brief history of how you’ve got to where you are now?
I grew up in the post war era. Even if you had money (which we didn’t) there was nothing to buy. My father made everything. Nothing was thrown away. It was either mended or turned into something else. Not only did he create our furniture when we moved into a council house but made a child sized house for me at the bottom of our garden long before Wendy houses were even heard of. He used scrap wood and apple boxes. It was completely furnished with arm chairs, dining table and chairs and even a washing machine and ironing board, all made to scale by him. He could work with metal as well as wood. He also made many of our clothes and was probably my biggest influence. It was natural for me to ask for a piece of fabric to make my own dress. Fabric was cheap. Clothes were dear.
|Terri's studio at home|
|A very sneaky peak at one of Terri's designs for 'Light Fantastic'|
I created most of my own clothes for years until, during my first career as a Psychiatric Social Worker, I studied City and Guilds Fashion out of interest and a desire to create my own patterns. Probably a little bit of my father’s perfectionism and quest for quality was rubbing off as well. I didn’t start to use my skills to earn money until I had had my children. As the children grew I trained as a teacher and taught fashion in adult education for more than 20 years. While teaching, I took C&G Embroidery to extend my skills and after retiring began to exhibit with Textile 21.
Can you tell us a little bit about your work?
I come from a line of craftsmen and I have always been a maker. I don’t have a choice. I have a compulsion to make things and get itchy fingers if I am separated from my sewing machine for too long. Fabric, whether new, used or a remnant, remains a source of inspiration. I particularly enjoy working with natural fibres. The various elements of my background come together in the work.
|Sketchbook for 'Light Fantastic'|
|Terri has been sewing with plastics for 'Light Fantastic'|
Exhibiting with Textile 21 is helping me to develop another side to my creativity as I constantly fight with the restraints of practicality and struggle to give more weight to the “art” and less to the “wearable” in the wearable art that I create.
Saturday, July 16, 2016
With the passage of light through glass at its heart, Textile 21 presents a contemporary textile exhibition inspired by the collection of artifacts, art, and history at St Helens World of Glass.
We would like to invite all of our followers, and lovers of textiles to our new exhibition 'Light Fantastic' which opens at the World of Glass in St Helens on Saturday 3rd September. Come along for an exclusive look at our new work and meet with the designers from 2pm. We look forward to seeing you there!
Saturday, July 02, 2016
As a new feature on our blog, we are going to introduce you to our members, old and new. Our first feature is Norma Hopkins, who is one of the founding members, and also chair of Textile 21. Norma is the one who organises us all at our regular monthly meetings, and keeps us all on track!
|Norma's piece 'Shift' for Created in Colour at the Whitaker, Rossendale.|
We hope you enjoy learning more about us, please do get in touch if you have any questions, by either commenting or visiting us on our facebook page @textile21 or searching for us on Instagram with the hashtag #textile21.
|Colour on perspex. Experimentation for Light Fantastic.|
When did you join Textile 21 and why?
I am a founder member of Textile 21. I had already undertaken a degree in Textiles Fashion, majoring in Embroidery at Manchester Met, then Manchester Polytechnic. I completed this in 1984 with a strong desire to teach, so I took a Post Graduate Certificate in Education (P.G.C.E.) and for the next 7 years, I followed a career teaching drawing, painting and textile art in prison education before teaching at South Trafford Collage. When I had got my teaching hours into a comfortable place to give me time to produce more of my own work, I took up a place on The South Trafford City & Guild Embroidery course which had an excellent reputation.
When did your interest in design first start and how did that come about?
I always loved the subject of art at school right from my primary education years. I don’t know where it came from except it must be in my genes somewhere. In junior school, I loved crayons and colouring patterns, these were the lean years after the war, rationing was still in force until I was 10 years old, and people had very little money. Then I had a wonderful inspirational art teacher in secondary school and that began my real interest as I found an aptitude for painting and drawing. At home, where there were no art materials and no knowledge of the subject in my family, making dolls beds from shoe boxes and clothes from scraps of material, became my favourite pastime along with a delight in playing with my mother’s button box.
In those days, the school leaving age was 15; I left with a yearning to go to Art College. However, circumstances at home meant had to go to work to help with the family finances, so my interest in Art became subjugated.
I married and in 1962 I had my first Son, closely followed by a second, so for the next 15 years my life became domesticated as I cared for my family, and helped my husband to achieve a dream to own his own business. Throughout this period, all that was art was forgotten.
When my children came to be teenagers, and my husband achieved his dream, I began to look at my own desires. I had missed much of my education in my childhood due to ill health but had a fervent desire to return to study and formed a cunning plan to gain a second chance to get a further education and to gain a place at Art College.
|Abstract panel. Experimentation for Light Fantastic.|
How would you describe your work?
I think I am quite painterly now. I love colour and the technique of collage and enjoy the way that in paint, or in the layering of transparent fabrics, passages of colours merge, blend, and shine through each other. My training advocated strong drawing but I have moved away from observational work towards a more conceptual, symbolic representation, though I hope that there is some recognisable substance in the source of the designs. I see myself primarily as an artist who happens to use textiles along with mixed media.
What type of material do you prefer to use?
|Experimentation on perspex for Textile 21 exhibition |
Light Fantastic, at the World of Glass from 3rd September 2016.
Where does your inspiration come from?
It comes from an inner quest as I respond to life’s journey. Often, it’s to do with the idea of enclosure, or the tension between restriction and freedom. The motif of the gate or open passage is often present and the play of colour is always important to me in some way.
|Lock studies sketchbook work.|